Visiting the Isabella Stewart Gardner Museum in Boston, part 2
Stairwell, Gardner Museum. Photo copyright © 2020 Dianne L. Durante

Visiting the Isabella Stewart Gardner Museum in Boston, part 2

I’ve posted earlier on my five favorites from the Gardner Museum (see here), but those were chosen from artworks I found on the Net. In August 2020, I visited the Gardner for the first time in decades. The introduction to this series is here. For all posts on the Gardner, click “Isabella Stewart Gardner Museum” in the tag cloud.

Stairwell

“Stairwell” seems too tame a word for it: it’s full of wrought iron, textile samples, and huge tapestries. Yes, that is the original color: “Bardini blue” is named after Stefano Bardini, a dealer of Isabella’s time who favored this color in his Florentine gallery.

The “Bardini blue” walls are more accurate in this photo. Yum.

Stairwell, Gardner Museum. Photo copyright © 2020 Dianne L. Durante

Detail of one of the tapestries in the stairwell.

Tapestry in the stairwell, Gardner Museum. Photo copyright © 2020 Dianne L. Durante

Also in the stairwell: a cheerful fresco of musicians by Giorgio Vasari, ca. 1545. He’s more famous for being the first to write biographies of artists.

Giorgio Vasari, Musicians. Gardner Museum. Photo copyright © 2020 Dianne L. Durante

Dutch Room

Six works stolen from the Gardner in the notorious 1990 heist hung in this room, including two Rembrandts and a Vermeer. The empty frames have been left hanging: one is at the far left of this photo.

Gardner Museum: frame from a stolen painting. Photo copyright © 2020 Dianne L. Durante

Looking fierce, which she was: Mary Tudor, Queen of England (r. 1553-1558), painted in 1554 by Antonis Mor and his workshop to celebrate Mary’s marriage to Philip II, King of Spain. In an unsuccessful attempt to reverse the Reformation, Mary ordered more than 280 English dissenters burned at the stake: hence her nickname “Bloody Mary”.

Antonis Mor, Queen Mary I of England. Gardner Museum. Photo copyright © 2020 Dianne L. Durante

A self-portrait by Rembrandt, at age 23 (1669): one of the prized paintings in Isabella’s collection.

Rembrandt, Self-Portrait at Age 23. Gardner Museum. Photo copyright © 2020 Dianne L. Durante

Zurbaran (1598-1662) is one of my favorite Spanish painters: such crisp, clear details! In this one, painted ca. 1635, the subject is a lawyer … which appeals to me far more than his usual saints. What is it doing in the “Dutch Room”? Only Isabella knows.

Francisco de Zurbaran, A Doctor of Law. Gardner Museum. Photo copyright © 2020 Dianne L. Durante

By Hans Holbein the Younger, an extraordinary portrait painter: Sir William Butts and Lady Margaret (Bacon) Butts, 1543. (I did not make that up.) Holbein also painted the stunning portraits of Sir Thomas More and Thomas Cromwell in the Frick Collection, which I discussed in detail in How to Analyze and Appreciate Paintings.

Hans Holbein the Younger, Sir William Butts. Gardner Museum. Photo copyright © 2020 Dianne L. Durante
Hans Holbein the Younger, Margaret (Bacon) Butts. Gardner Museum. Photo copyright © 2020 Dianne L. Durante

Wall sconce and gorgeous fabric wall coverings in the Dutch room. Now you know what all those imitations are imitating!

Sconce, Gardner Museum.

The Gardner is one of the few museums I know where it’s always worth looking at the ceiling.

Ceiling of the Dutch Room, Gardner Museum. Photo copyright © 2020 Dianne L. Durante

View of the courtyard from the second floor.

View of the courtyard from the second floor of the Gardner Museum. Photo copyright © 2020 Dianne L. Durante

The Tapestry Room

A huge space that Isabella used as a concert hall. Again: look at the ceiling!

Tapestry Room, Gardner Museum. Photo copyright © 2020 Dianne L. Durante

The Short Gallery

Portrait of Isabella by Anders Zorn, 1894. One of my favorite paintings at the Gardner, for the energy level.

Anders Zorn, Isabella Stewart Gardner. Gardner Museum. Photo copyright © 2020 Dianne L. Durante

Little Salon

The Chariot of Venus, by Francois Boucher: very 18th century, very Rococo, very charming! Far better image here.

Francois Boucher’s Chariot of Venus. Gardner Museum. Photo copyright © 2020 Dianne L. Durante

Bindings

From Isabella’s collection of books and autographs: a few lovely bindings.

Fine bindings at the Gardner Museum. Photo copyright © 2020 Dianne L. Durante

Next week: third floor.

More

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