• Sculptor: Anna Hyatt Huntington
  • Date: original 1955; this copy dedicated 1964
  • Medium & size: cast aluminum, 16 feet tall
  • Location: Stevens Institute, Hoboken, NJ (given by Huntington)

Huntington, Torchbearers, 1955. Stevens Institute, Hoboken, NJ. Photo copyright © 2019 Dianne L. Durante

More photos below.

“Say Not the Struggle Nought Availeth”

Say not the struggle nought availeth,
The labor and the wounds are vain,
The enemy faints not, nor faileth,
And as things have been they remain.

If hopes were dupes, fears may be liars;
It may be, in yon smoke concealed,
Your comrades chase e’en now the fliers,
And, but for you, possess the field.

For while the tired waves, vainly breaking,
Seem here no painful inch to gain,
Far back, through creeks and inlets making,
Comes silent, flooding in, the main.

And not by eastern windows only,
When daylight comes, comes in the light;
In front, the sun climbs slow, how slowly,
But westward, look, the land is bright.

Arthur Hugh Clough

The Torchbearers

According to Proske’s Brookgreen Gardens Sculpture, the sculpture symbolizes “the continuance of civilization from one generation to another, with a rider passing on to his fallen companion the torch of enlightenment.” But you don’t need to know that to see that something is being triumphantly passed on, after a great struggle.

The man on the ground is exhausted, grimacing with pain or fatigue.

Huntington, Torchbearers, 1955. Stevens Institute, Hoboken, NJ. Photo copyright © 2019 Dianne L. Durante

But he’s still digging in with his toes to push himself forward …

Huntington, Torchbearers, 1955. Stevens Institute, Hoboken, NJ. Photo copyright © 2019 Dianne L. Durante

And he’s lifting his arm high to pass the torch, which is still lit, to the new torchbearer.

Huntington, Torchbearers, 1955. Stevens Institute, Hoboken, NJ. Photo copyright © 2019 Dianne L. Durante

The new torchbearer will easily be able to grasp the torch as he passes …

Huntington, Torchbearers, 1955. Stevens Institute, Hoboken, NJ. Photo copyright © 2019 Dianne L. Durante

And he smiles at a job well done!

Huntington, Torchbearers, 1955. Stevens Institute, Hoboken, NJ. Photo copyright © 2019 Dianne L. Durante

About the Sculptor

Anna Hyatt Huntington’s specialty was animal sculpture and equestrian figures; she ranks as one of the best sculptors America has produced. She was born in 1876 in Cambridge, Massachusetts, daughter of an eminent paleontologist, which perhaps helps explain her knowledge of anatomy. Her first major commission came in 1915: the Joan of Arc for Riverside Drive. In 1923 she married railroad heir Archer Huntington. She came to share his passion for Spain, producing an ensemble for the Hispanic Society of America courtyard that includes the Cid, 1936, reliefs of Don Quixote and Boabdil, and near life-size sculptures of numerous animals native to Spain.

Casts of many of Huntington’s works are on view at Brookgreen Gardens (Pawley’s Island, S.C.), which she and her husband founded in 1931 as a showplace for American figurative sculpture. Aside from Joan of Arc and the Hispanic Society sculptures, Manhattan also has her Jose Marti, 1959. The Bronx has the Arabella Huntington Memorial at Woodlawn Cemetery. Huntington died in 1973.

More

  • The original Torchbearers was dedicated in 1955 at the University of Madrid: it represents the continuance of civilization from one generation to another.
  • For Huntington’s Joan of Arc, Cid, and Jose Marti, see also Outdoor Monuments of Manhattan: A Historical Guide .
  • In Getting More Enjoyment from Sculpture You Love, I demonstrate a method for looking at sculptures in detail, in depth, and on your own. Learn to enjoy your favorite sculptures more, and find new favorites. Available on Amazon in print and Kindle formats. More here.
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