The 107th Infantry Memorial (Central Park)

The American Civil War pitted brother against brother and friend against friend. Yet memorials to those involved in it are far less grim than memorials for the First World War. Why is that?

Karl Illava, 107th Infantry Monument, 1926-27. Photo copyright (c) 2016 Dianne L. Durante
Karl Illava, 107th Infantry Monument, 1926-27. Fifth Avenue at 67th Street, New York. Photo copyright (c) 2016 Dianne L. Durante

During the Civil War, over 600,000 men died. That’s almost as many as the total deaths in all the other wars that the United States has ever fought. General William Tecumseh Sherman, one of the Union’s most brilliant leaders, said flatly: “War is cruelty, and you cannot refine it.” But he followed that up with, “I will ever conduct war with a view to perfect and early success.” When the Civil War ended, the Confederacy’s will to fight was unequivocally destroyed, and the States were once again United. Victory made the losses more bearable. That’s why the 7th Regiment Memorial shows a dignified soldier with an air of quiet heroism. It’s why Sherman is shown in triumph.

John Quincy Adams Ward, 7th Regiment Memorial. Augustus Saint Gaudens, Sherman Monument, dedicated 1903. Photos copyright (c) 2016 Dianne L. Durante
John Quincy Adams Ward, 7th Regiment Memorial, Central Park (West Drive at 69th St.). Augustus Saint Gaudens, Sherman Monument, dedicated 1903. Fifth Avenue at 59th St., New York. Photos copyright (c) 2016 Dianne L. Durante

The 107th Infantry Memorial was created after a different sort of war that led to a different sort of outcome. President Woodrow Wilson was narrowly elected in November 1916 on a promise to keep the United States out of the war that had been devastating Europe for 2 years. Five months later, he asked Congress to declare war “to make the world safe for democracy.” Few men volunteered for the job. Half the Americans who fought in “the war to end all wars” went “over there” because they were drafted.

On September 29, 1918, New York’s 107th Infantry was dispatched to attack a section of Germany’s Hindenburg Line. It was their most notable engagement. Yet … there’s a sense of desperation in the way the 3 soldiers charge forward. And the other 4 figures are just struggling along, trying to survive for the next few days, hours, or minutes. By the time the men of the 107th reached their objective, more than half the regiment had been slaughtered.

Karl Illava, 107th Infantry Monument, 1926-27. Photo copyright (c) 2016 Dianne L. Durante
Karl Illava, 107th Infantry Monument, 1926-27. Photo copyright (c) 2016 Dianne L. Durante
Detail of Karl Illava, 107th Infantry Monument, 1926-27. Photo copyright (c) 2016 Dianne L. Durante
Detail of Karl Illava, 107th Infantry Monument, 1926-27. Photo copyright (c) 2016 Dianne L. Durante
Detail of Karl Illava, 107th Infantry Monument, 1926-27. Photo copyright (c) 2016 Dianne L. Durante
Detail of Karl Illava, 107th Infantry Monument, 1926-27. Photo copyright (c) 2016 Dianne L. Durante
Detail of Karl Illava, 107th Infantry Monument, 1926-27. Photo copyright (c) 2016 Dianne L. Durante
Detail of Karl Illava, 107th Infantry Monument, 1926-27. Photo copyright (c) 2016 Dianne L. Durante

War memorials aren’t created by those who perish, but by those who survive. The survivors knew the cost of breaking the Hindenburg Line. By 1927, when this memorial was dedicated, they also knew the effects of the Great War.

Five days after the Hindenburg Line was broken, the German government requested an armistice. In the negotiations that followed, President Wilson pressured the Allies to accept peace without victory and to become one big, happy, self-determined, openly allied, minimally armed, free-trading family in the League of Nations. By the mid-1920s, when this sculpture was created, the family was clearly dysfunctional.

In New York City, memorials to the Great War were not to political or military leaders, but to anonymous infantrymen. Many of those mourning America’s 100,000 fallen soldiers believed their loved ones had died in vain. That’s why the 107th Infantry Monument is a quarter mile, a quarter century, and worlds away from Central Park’s memorials to the Civil War.

Augustus Saint Gaudens, Sherman Monument, dedicated 1903. Karl Illava, 107th Infantry Monument, 1926-27. Both photos copyright (c) 2016 Dianne L. Durante
Augustus Saint Gaudens, Sherman Monument, dedicated 1903. Karl Illava, 107th Infantry Monument, 1926-27. Both photos copyright (c) 2016 Dianne L. Durante

More

  • On Sherman, see here.
  • This essay on the 107th Infantry Memorial is the text (and a few of the images) from the episode on the 107th Infantry Memorial for the Guides Who Know app on Central Park.
  • In From Portraits to Puddles: New York City Memorials from the Civil War to the World Trade Center (Reflecting Absence) I argue that we can offer the victims of 9/11 a better tribute than Reflecting Absence, a gloomy piece of landscape architecture with lists of names. But what makes an effective tribute? What makes a memorable memorial? The sculptures in nearby Battery Park provide excellent examples of memorials dedicated over the past hundred years. I point out lessons from half a dozen of them that can be applied to a memorial for the World Trade Center – and I explain how our memorials declined from portraits to puddles. I also offer this as a walking tour: email DuranteDianne@gmail.com if you’re interested.
  • In Getting More Enjoyment from Sculpture You Love, I demonstrate a method for looking at sculptures in detail, in depth, and on your own. Learn to enjoy your favorite sculptures more, and find new favorites. Available on Amazon in print and Kindle formats. More here.
  • Want wonderful art delivered weekly to your inbox? Check out my free Sunday Recommendations list and rewards for recurring support: details here.