Going for Baroque (Concert) (Favorites at Washington’s National Gallery, 13)

This delightful painting is a relatively recent acquisition – too recent to be in my color-plate book of the National Gallery’s highlights, so it was a serendipitous discovery when I visited. What drew me from a couple galleries away were the bright, sharp colors that shout, “Having a great time over here!”

Gerrit van Honthorst (Dutch, 1592 - 1656 ), The Concert, 1623, oil on canvas. Washington, National Gallery, Patrons' Permanent Fund and Florian Carr Fund. Photo: National Gallery.

Gerrit van Honthorst (Dutch, 1592 – 1656 ), The Concert, 1623, oil on canvas. Size: 48 x 80 inches. Washington, National Gallery, Patrons’ Permanent Fund and Florian Carr Fund. Photo: National Gallery.

After the first jolt of color, I was entranced by the variety of expressions on the faces: each these people is unique, and each is intently focusing on the music in his or her own way. I’m not used to this much vividness in group paintings of this period: it’s as if characters from Mozart in the Jungle or Opera Feroce have been transported a couple centuries back. (For my comments on two Opera Feroce productions, see the Opera page.) The composition is also remarkable: Honthorst shows enough of each person’s face, gestures, and musical instrument to reveal their character and their part in this ensemble, yet still manages to make the group look impromptu and energetic.

What I’ll look for next time

I wonder if the music on the table is legible? And if so, what is it? (OK, I could look on a high-res photo, but looking at the painting is much more fun.)

More

  • Want wonderful art delivered weekly to your inbox? Members of my free Sunday Recommendations list (email DuranteDianne@gmail.com) receive three art-related suggestions every week: check out my favorites from last year’s recommendations. For more goodies, check out my Patreon page.

About Dianne L. Durante

I constantly seek out art that's inspiring, thought-provoking, skillfully executed, and/or beautiful so I can share it (in jargon-free language) with others who need and enjoy such art, but don't have time to search for it themselves. As an independent scholar, writer, and lecturer, I focus on art history and history, with forays into food, history, politics, and publishing. My most recent projects are three volumes on Alexander Hamilton, Central Park: The Early Years, Innovators in Sculpture (a survey of 5,000 years of art in 2 hours), and videoguide apps by Guides Who Know. Click on the Books & Essays tab for a list of all books. For upcoming projects, see my Patreon page.

Comments are closed.