Walters Art Museum (Five Favorites series)

First an  an occasional series of posts on works I’d love to visit again … or see for the first time.

My choices for the Five Favorites series aren’t all works that show me new heights to aspire to. More often, they help me gather fuel that will, eventually, give me the energy and focus to decide which particular heights I want to scale. The fuel can be the sight of one of my values, or an object of exquisite workmanship, or a color that has a positive association going so far back that even a psychiatrist probably couldn’t track down the source. I don’t expect you to love all the artworks I include. But I’m hoping my picks will persuade you to visit a museum or gallery, where you may turn a corner and find an artwork that makes you catch your breath.

These five fabulous works are at the Walters Art Museum in Baltimore.

  • Visitor info here
  • Browse the collection here (a bit glitchy: it won’t find “faberge” but will find “faberg”.

Faberge egg, 1907

This elegant 3-inch-high egg was commissioned by Tsar Nicholas for his wife. It held a diamond necklace and an ivory portrait miniature of the heir to the throne. More here.

Faberge egg, 1907. Photo: Walters Art Museum.

Hashiguchi Goyō, Woman in Blue Combing Her Hair, 1920

Japanese colour woodblock print. More here.

Hashiguchi Goyō, Woman in Blue Combing Her Hair, 1920. Photo: Walters Art Museum via Wikipedia.

Veronese, Countess Livia da Porto Thiene and Her Daughter, 1550s

Just charming: at this period, children tend to be posed very stiffly, as if they’ve been told to behave or else. More here. A pendant portrait of the Countess’s husband and son is in the Contini-Bonacossi Collection, part of the Uffizi Gallery in Florence. Both paintings are about 6 1/2 feet high.

Paolo Veronese, Countess Livia da Porto Thiene and Her Daugher Deidameia, 1550s. Photo: Walters Art Museum via Wikipedia.

Maerten van Heemskerck, Landscape with Abduction of Helen, 1535

Five feet high and twelve feet wide: I’d love to go squint at the details, which include buildings in Rome in the early 16th century. More here.

Maerten van Hemmskerck, Landscape with the Abduction of Helen, 1535. Photo: Walters Art Museum via Wikipedia.

Sofonisba Anguissola, Marchese Massimiliano Stampa, 1557

My hands-down favorite of the paintings I remember at the Walters. Those eyes, that posture: I want to give this kid a hug and tell him to go play with his dog and I’ll bring him some chocolate ice cream. The figure is life-size. More here.

Sofonisba Anguissola, Marchese Massimiliano Stampa, 1557. Photo: Walters Art Museum.

More

  • On my bookshelf: Fifty Old Master Paintings from the Walters Art Gallery (1988). The colors of the images are more highly saturated (and I assume more true to the originals) than those on the Walters website.
  • For more favorites from museums, see the Obsessions cloud at right: Museums, Metropolitan Museum, and Washington National Gallery.
  • Want wonderful art delivered weekly to your inbox? Members of my free Sunday Recommendations list (email DuranteDianne@gmail.com) receive three art-related suggestions every week: check out my favorites from last year’s recommendations. For more goodies, check out my Patreon page.

About Dianne L. Durante

I constantly seek out art that's inspiring, thought-provoking, skillfully executed, and/or beautiful so I can share it (in jargon-free language) with others who need and enjoy such art, but don't have time to search for it themselves. As an independent scholar, writer, and lecturer, I focus on art history and history, with forays into food, history, politics, and publishing. My most recent projects are three volumes on Alexander Hamilton, From Portraits to Puddles, Central Park: The Early Years, Innovators in Sculpture (a survey of 5,000 years of art in 2 hours), and videoguide apps by Guides Who Know. Click on the Books & Essays tab for a list of all books. For upcoming projects, see my Patreon page.

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